The Nightmare Considered: Critical Essays on Nuclear War Literature.
Bowling Green, OH: Bowling Green State University Popular Press, (1991). First edition. Octavo. 201 pages.
LITERARY CRITICISM
The Social Mission of English Criticism, 1848-1932
Oxford: Oxford University Press, 1987. First Paperback, Revised Edition. Paperback. Small octavo. 14 x 21.5 cm. 250 pp.
Charles Baudelaire: Un poete lyrique a l'apogee du capitalisme.
(France): Editions Payot, (1990). 1990 printing. Duodecimo. 284 pages.
A Poet's Alphabet: Reflections on the Literary Art and Vocation.
New York: McGraw-Hill Book Company, (1970). First edition, first printing. Octavo. 474 pages.
Inventions: Writing, Textuality, and Understanding in Literary History
New Haven: Yale University Press, (1982). First Edition, First Printing. Octavo. 16 x 24 cm. xiv; 201 pp.
The Myth of New Orleans in Literature: Dialogues of Race and Gender
Knoxville, TN: University of Tennessee Press, 1993. First Edition, First Printing. Hardcover. Octavo. 6.25 x 9.25 in. 222 pp. With black & white illustrations.
Overcoming Matthew Arnold: Ethics in Culture and Criticism
(Farnham): Ashgate, (2012). First Edition, First Printing. Octavo. 16.5 x 24 cm. 235 pp.
Comparative Literature and Classical Persian Poetics: Seven Essays.
Costa Mesa, California: Mazda Publishers, 2000. First edition. Octavo. xvi; 158 pages.
Constructing Texts: Elements of a Theory of Composition and Style
Bloomington: Indiana University Press, (1981). First Edition, First Printing. Octavo. 16 x 24 cm. [xxii]; 199 pp.
Guide Book to Zen and the Art of Motorcycle Maintenance
New York: William Morrow and Company, (1990). First Edition, First Printing. Hardcover. Octavo. 16 x 24 cm. 407 pp. An uncommon title.
Memoirs of a Leavisite: The Decline and Fall of Cambridge English
(Liverpool): Liverpool University Press, (2013). First Edition, First Printing. Octavo. 16.5 x 24 cm. xii, 151 pp.
Self-Consuming Artifacts: The Experience of Seventeenth-Century Literature
Berkeley: University of California Press, (1974). First Paperback Edition, First Printing. Small octavo. 13.5 x 20 cm. xiv; 432 pp.
Donald Greene, 1914-1997
Privately Printed, 1998. First Edition, First Printing. Small quarto. 18 x 25.5 cm. 90 pp. Illustrated with a few black-and-white reproductions of photographs. Greene was a scholar and literary critic known primarily for his work on Samuel Johnson.
The Schlemiel Comes to America
Metuchen, NJ: Scarecrow Press, Inc., 1983. First Edition, First Printing. Hardcover. Octavo. 5.5 x 8.75 in. 250 pages.
Lexis Complexes: Literary Interventions.
Athens: The University of Georgia Press, (1995). First edition. Octavo. viii; 225 pages. With seven black and white illustrations.
Dark Conceit: The Making of Allegory
Cambridge: Boar's Head Book, 1960. First Thus. Paperback. Octavo. 5.5 x 8.5 in. xii; 210 pp.
What Ever Happened to Modernism?
New Haven: Yale University Press, (2010). First American Edition, first printing. Octavo. 14.5 x 22 cm. xii; 208 pp. With a few black-and-white illustrations.
Anna Karenina and Other Essays
London: Chatto & Windus, 1967. First Edition, First Printing. Octavo. 15 x 22 cm. 248 pp.
Letters in Criticism
London: Chatto and Windus, 1974. First Edition, First Printing. Octavo. 14.5 x 22.5 cm. Edited with an introduction by John Tasker.
Lectures in America
London: Chatto and Windus, 1969. First Edition, First Printing. Octavo. 14.5 x 22.5 cm. vii, 152 pp.
The Textual Condition
Princeton: Princeton University Press, (1991). First Paperback Edition, First Printing. Octavo. 15.5 x 23.5 cm. xiv; 208 pp. Published as part of the series Princeton Studies in Culture/Power/History.
Female Friendships and Communities: Charlotte Bronte, George Eliot, Elizabeth Gaskell
Oxford: Clarendon Press/Oxford University Press, 1985. First Edition, First Printing. Hardcover. Octavo. 14.5 x 22 cm. 220 pp.
William Empson and the Philosophy of Literary Criticism
(London): University of London, The Athlone Press, 1978. First Edition, First Printing. Octavo. 14.5 x 22.5 cm. [x]; 222 pp. Postscript by William Emperson.
Consuming Traditions: Modernity, Modernism, and the Commodified Authentic
(New York): Oxford University Press, (2009). First Edition, First Printing. Octavo. 16 x 24 cm. xviii; 214 pp. With occasional black-and-white reproductions of illustrations.
Literary Theory/Renaissance Texts
Baltimore: The Johns Hopkins University Press, (1986). First edition, first printing. Octavo. 399 pages.