Art in America -- May/June 1970
New York: New York, 1970. First Edition, First Printing. Paperback. Quarto. 9 x 12 in. 154 pp. Contains original fold-out lithograph by Alexander Calder. More
AMERICAN ART
Best Fifty Currier & Ives Lithographs: Large Folio Size
New York: The Old Print Shop, [circa 1930]. First Edition, First Printing. Quarto. 21.5 x 27 cm. Unpaginated; approximately 60 pp. Illustrated with 50 black-and-white reproductions of lithographs. More
Dorothy Gillespie.
(Radford, Virginia): Radford University Foundation Press, (1998). First edition. Tall narrow quarto. 160 pages. Profusely illustrated in color. More
Health, Happiness and Metempsychosis: The Art of James Harold Jennings.
Winston-Salem, NC: Southeastern Center for Contemporary Art, 2002. First Edition, First Printing. Paperback. Tall thin octavo. Unpaginated. Illustrated throughout in black and white and color. More
Jess. Odyssia Gallery at The Art Show Seventh Regiment Armory. Essay by Madeleine Burnside.
New York: Odyssia Gallery, 1989. First edition. Thin quarto. Unpaginated. Illustrated throughout in color. More
Life in the South: Self-Taught Artists from the Huffman Collection
Lindenau-Museum Altenberg, 2004. First Edition, First Printing. Small quarto. 21 x 28 cm. 96 pp. Illustrated with reproductions of color photographs and paintings. Text in German and English. More
Where We Stand: Contemporary Haudenosaunee Artists
New York State Historical Association, 1997. First Edition, First Printing. Paperback. Thin, oblong quarto. Unpaginated. Fully illustrated with reproductions of color photographs. Scarce. More
Winslow Homer: An American Genius at the Parthenon. The Move Toward Abstraction June 3- September 24, 2000.
Nashville, Tennessee: The Parthenon, 2000. First edition. Thin oblong quarto. 84 pages. Illustrated throughout in black and white and color. More
Native Grace: Prints of the New World 1590-1876. Introduction by Wendy Shadwell.
Charlottesville: Thomasson-Grant, (1988). First edition. Large square quarto. 127 pages. Profusely illustrated in color and black and white. More
Don Bachardy: One Hundred Drawings.
Los Angeles: Twelvetrees Press, 1983. First Edition, First Printing. Paperback. Quarto. Unpaginated. Illustrated with 100 full-page reproductions of black-and-white drawings. Briefly inscribed by Bachardy on title page. Scarce signed. More
Painting Landscapes.
New York: Watson-Guptill Publications, (1973). First new, enlarged edition. Quarto. 192 pages. Illustrated throughout in black and white and color. Inscribed by Ballinger. More
Drawing Restraint 7
(Ostfildern): Cantz Verlag, (1995). First edition. Oblong quarto. Unpaginated. Illustrated throughout in color and black-and-white, some of which fold-out. More
John Henry Twachtman, American Impressionist Painter as Printmaker: A Catalogue Raisonne of His Prints
(Bronxville: M. Hausberg, 1999). First Edition, First Printing. Quarto. 22 x 28.5 cm. 153 pp. With black-and-white reproductions of illustrations. With a list of prints by Martha Scudder Twachtman. More
Horace Pippin
(Washington, DC: The Phillips Collection, 1976). First Edition, First Printing. Small oblong quarto. 28 x 22.5 cm. Approximately 60 pp. Fully illustrated with color reproductions of paintings by Horace Pippin. More
Benton: Drawings; A Collection of Drawings by Thomas Hart Benton
Columbia: University of Missouri Press, 1968. Thomas Hart Benton. First Edition, First Printing. Hardcover. Quarto. 10.25 x 12 in. [xiv], 142 pp. Fully illustrated with 135 reproductions of black & white drawings by Thomas Hart Benton. More
Forrest Bess
New York: Hirschl & Adler, 1988. First Edition, First Printing. Small quarto. 9 x 10.5 in. Unpaginated. Ilustrated with color reproductions of artwork. Introduction by John Yau. More
American Art: A Cultural History.
(New York): Harry N. Abrams, (2001). First edition, first printing. Short quarto. 416 pages. 400 illustrations, including 148 plates in full color. More
The Meaders Family of Mossy Creek: Eighty Years of North Georgia Folk Pottery.
Atlanta: Georgia Folk Culture, Georgia State University, 1976. First edition. Small, thin quarto. 32 pages. Illustrated throughout with sepia reproductions. More
Painting the Musical City: Jazz and Cultural Identity in American Art, 1910-1940.
Washington: Smithsonian Institution Press, (1997). First edition, first printing. Quarto. 200 pages. Illustrated with several reproductions of black-and-white paintings and color plates. More
Through the Flower: My Struggle as a Woman Artist. Introduction by Anais Nin.
Garden City, New York: Anchor Books/ Doubleday, 1982. Octavo. xiv; 226 pages. With many black and white illustrations and a few color plates. More
Eyewinkers, Tumbleturds and Candlebugs: The Art of Elizabeth Talford Scott
(Baltimore: Maryland Institute, College of Art, 1998). First Edition, First Printing. Square quarto. 25 x 25 cm. 50 pp. Fully illustrated with color reproductions of Scott's amazing quilt art. Published in conjunction with Scott's exhibition organized by the Maryland Institute, College of Art. January 15, 1998. More
The Pottery of the Shenandoah Valley Region
Winston-Salem: The Museum of Early Southern Decorative Arts, (1994). First edition, first printing. Hardcover. Large quarto. 538 pages. Fully illustrated with reproductions of color and black-and-white photographs, endpaper maps. More
Rediscoveries in American Sculpture: Studio Works, 1893-1939.
Austin: University of Texas Press, (1989). First edition. Folio. viii; 208 pages. Illustrated throughout in black and white and color. More
Randall Deihl: An American Realist.
Northampton/Amherst: R. Michelson Galleries, [c. 2005]. First edition, first printing. 26.5 x 20.5 cm. [24 pp.] Fully illustrated with color reproductions of paintings by Deihl. More
Old Salem Brought to Life: The Paintings and Story of Pauline Bahnson Gray
Winston-Salem: Old Salem Museums and Gardens, (2007). First Edition, First Printing. Oblong quarto. 31.5 x 23.5 cm. 191 pp. Fully illustrated in black-and-white and color with reproductions of paintings and photographs. Inscribed by Eller on front free endpaper, "To/Tom Patterson/with best wishes,/Aurelia Gray Eller." More