New York: The Macmillan Company, (1971). First Edition, First Printing. Large octavo. 17 x 24 cm. xii; 513 pp. Profusely illustrated with black-and-white reproductions of photographs. Signed by Capra on the half title. More about The Name Above the Title: An Autobiography
New York: Golden Book, 1985. First Edition, First Printing. Hardcover. Thin quarto. Unpaginated. Fully illustrated with reproductions of color photographs, pictorial endpapers. "A" in printing line. More about The Return to Oz Storybook
London: Lawrence and Wishart, 1959. First English edition. Small quarto. 208 pages of text. Many black and white illustrations. More about Sergei Eisenstein: Notes of a Film Director
New York: Orion Press / Grossman, 1971. First Edition, First Printing. Hardcover. Small octavo. 5.75 x 8.25 in. 198 pp. Translated from the Italian by Judith Green. More about Federico Fellini: Early Screenplays. Variety Lights and The White Sheik
New York: Harry N. Abrams, 1978. First Edition, First Printing. Hardcover. Quarto. 9.5 x 11 in. 307 pp. Illustrated with 228 enchanting reproductions, 201 in full color. Uncommon in first printing. More about Walt Disney's Treasury of Children's Classics
Indianapolis: Bobbs-Merrill, 1963. First Edition, First Printing. Hardcover. Octavo. 5.75 x 8.5 in. 331 pp. Illustrated with a suite of black-and-white photographs. More about The Story of the Misfits
New York: Hyperion, 1999. First Edition, First Printing. Hardcover. Quarto. 10.25 x 13.5 in. 191 pp. Fully illustrated with color reproductions of animation stills, character development, photographs and notes. Nicely inscribed in year of publication. More about The Tarzan Chronicles
Berkeley: University of California Press, (1999). First edition. Large octavo. xii; 571 pages. With black and white illustrations. More about Film Quarterly: Forty Years- A Selection
Berkeley, CA: Pacific Film Archive / University Art Museum, 1987. First Edition, First Printing. Paperback. Thin small quarto. 7 x 8.5 in. 28 pp. Occasionally illustrated with black & white film stills. More about Gyula Gazdag: Lost Illusions / Found Metaphors
Baltimore, MD: Bancroft Press, (1995). First Edition, First Printing. Hardcover. Octavo. 5.5 x 9 in. 308 pp. Signed by Hunter on title page. More about Violent Screen: A Critic's 13 Years on the Front Lines of Movie Mayhem
Austin: University of Texas Press, (2004). First paperback edition. Octavo. 197 pages. More about History Films, Women, and Freud's Uncanny
New York: Jeremy P. Tarcher / Penguin, 2006. First Edition, First Printing. Hardcover. Square octavo. 7.25 x 7.25 in. [x], 182 pp. Signed by David Lynch on half-title. More about Catching the Big Fish: Meditation, Consciousness, and Creativity
San Francisco, CA: Cadence Books, 2001. Happy Ujihashi. First American Edition, First Printing. Paperback. Quarto. 7.25 x 10 in. 240 pp. Illustrated throughout in black & white with a foreword by Kinji Fukasaku and an afterword by Takashi Miike. More about Tokyo Scope: The Japanese Cult Film Companion
Cambridge: Harvard University Press, 1995. First paperback edition. Octavo. 246 pages. Illustrated with several reproductions of black-and-white photographs. More about The Avant-Garde Finds Andy Hardy
New York: St. Martin's Press, (1988). First Edition, First Printing. Hardcover. Small octavo. 198 pages. Illustrated with a suite of reproductions of black-and-white photographs. More about Dennis Hopper: A Madness to His Method
New York: Crown Publishers, Inc., 1988. First edition. Octavo. 272 pages. Profusely illustrated in black and white. More about Screen World 1988. Volume 39
New York: Crown Publishers, Inc., 1989. First edition. Octavo. 272 pages. Profusely illustrated in black and white. More about Screen World 1989. Volume 40
